For over three decades, The Greyboy Allstars have been a cornerstone of American groove
music—merging jazz, soul, and funk with the swagger of hip-hop and the improvisational freedom of the
avant-garde. Since their early days in the 1990s San Diego scene, the Allstars have created a sound all
their own: West Coast Boogaloo, named after their landmark debut album with funk icon Fred Wesley.
That record, West Coast Boogaloo (1994), was a defining statement—deep, danceable, and drenched in
soul—and helped spark the West Coast’s acid jazz and funk revival. Their follow-up, A Town Called
Earth, expanded the band’s scope, layering cosmic jazz influences and cinematic textures onto their
already formidable funk foundation. Both albums remain touchstones of modern groove
music—sampled, revered, and referenced by DJs, beatmakers, and next-generation jazz artists the
world over.
Yet The Greyboy Allstars have never been content to rest on legacy. In an era where jazz is being
redefined by young innovators across London, New York, and Los Angeles, the Allstars remain essential
listening—a band that helped build the house and is still remodeling it from the inside. Their latest
release, Grab Bag: 2007–2023, is a powerful reminder that this group is not only active, but also
evolving. A compilation of previously unreleased tracks, deep cuts, and left-field gems recorded over the
past 15 years, Grab Bag is both a treasure trove for longtime fans and a perfect entry point for new
listeners. From tight rhythm workouts to spacey organ-fueled explorations, the album proves that the
band is as inspired and locked-in as ever—still funky, still fearless, and still pushing boundaries.
Each member of The Greyboy Allstars brings a distinct voice and towering resume, yet together they
form a rare musical ecosystem built on trust, taste, and telepathy. Saxophonist and flutist Karl Denson
is a relentless creative force whose fiery playing blends the soul-jazz tradition of Sonny Rollins with the
raw funk of Maceo Parker. As the leader of his own Tiny Universe and longtime touring member of The
Rolling Stones, Denson has become one of the most recognizable horn players in modern music.
Keyboardist Robert Walter, a titan of the Hammond B3, brings deep grooves, lush harmonies, and
fearless improvisation. His solo records and collaborations have made him a cult favorite across funk
and jazz scenes worldwide. Guitarist Michael Andrews, also known as Elgin Park, is the Allstars’
melodic anchor, weaving tasteful lines inspired by Grant Green and Wes Montgomery. As a celebrated
film composer (Donnie Darko, Pharrel’s Piece by Piece), his work transcends genres—but his guitar voice
in the band is unmistakable and vital. On bass, Chris Stillwell delivers the unsung magic that makes the
band swing—his lines are fluid, funky, and always in the pocket, fusing Motown depth with California
cool. Rounding out the rhythm section, drummer Aaron Redfield brings nuance, muscle, and rhythmic
command. Whether locking in a tight breakbeat or opening up the kit for sprawling jazz interplay,
Redfield is the heartbeat of the band’s evolving sound.

As they continue to tour and record, The Greyboy Allstars remain one of the most exciting live bands on
the planet—schooled in tradition but never bound by it. Their music nods to legends like Ahmad Jamal,
Wayne Shorter, Thelonious Monk, and Eddie Harris, while sounding utterly timeless and unmistakably
their own. In a time when jazz is colliding with hip-hop, Afrobeat, psych, and beat culture, The Greyboy
Allstars are not just relevant—they're foundational. They’ve been laying bricks in this house since day
one, and their influence only grows deeper.