Haux is the multimedia silhouette of photographer-turned musician Woodson Black. Every word, recording, photo, video and visual from his 2016 debut EP All We’ve Known were carefully curated over the course of a year from his quiet home in the Berkshires.    Despite – or perhaps because of – his highly individualistic approach, Black’s cross-platform art experiment quickly built an audience throughout the globe. By the end of 2017, Haux had been streamed over 60 million times with sold out performances on multiple continents.  Haux sophomore EP Something To Remember will be released March 30th, with a companion short film to follow. Once again Black is at the helm of every recording and wrote and directed all of the footage, while fans have come to recognize his distinct photography that serves as album art. 

In an era in which the magnitude of cultural sickness is coming to light, Henry Jamison has had some time to reflect. On his second record, Gloria Duplex, the Vermont songwriter deconstructs ideas of masculinity from boyhood to adulthood and what it means to be a white, middle class male in America today. “All of the images that were coming to me were of boyhood or of manhood,” says Jamison. “It ended up that every song on the record is in some way addressing that subject.” It’s a lot to unpack. Recorded over a two-week period in New York City during January 2018, Gloria Duplex features an all-star cast including producer Thomas Bartlett (Sufjan Stevens, The National, Yoko Ono, St. Vincent, Florence & The Machine) string arranger Rob Moose (Bon Iver, Arcade Fire, Laura Marling, Perfume Genius, Phoebe Bridgers) and mixer Patrick Dillett (Rhye, David Byrne, Glen Hansard).