Can rock’n’roll change the world? Jon Spencer says YES. Mr. Blues Explosion is still lighting the torches and ringing the bells, singing and preaching from the rooftops, live on the world stage, on the airwaves, via satellite, and right here, right now, on a brand new record: SONGS OF PERSONAL LOSS AND PROTEST “I’m in a time of spiritual reckoning,” Jon confides. “These past few years there has been a lot of emotional conflict and personal loss — the passing of time takes its toll.  Losing friends, losing family, and all of this set against a world gone topsy turvy where it feels like we are losing basic freedoms… I’m trying to balance a lot of things, but the answer is always rock’n’roll.” Across twelve brand new songs, Jon tears his heart out singing songs torn from the front page and beyond: futuristic power blues and garage-punk explosionisms about the nausea and paranoia delivered by a reality show president, and the power and resilience it takes to rebel. It is all deeply personal — the fight to create and live and push back against the dark forces —  but he never loses sight that we’re all in this together.  “Rock’n’roll is America’s true gift to the world — the sound of revolution! It came out of the sky, a screaming, chrome-plated flying saucer, like an outer space monster, landed here on Earth so the freaks could have their say. It  is the hip-shaking sound of rebellion. The blues is my bible, rock’n’roll is our battle cry!” SONGS OF PERSONAL LOSS AND PROTEST was recorded with Jon’s super-powered touring  band, and if you’ve been lucky enough to see them in the past few years — they’ve been playing non-stop, destroying audiences from Akron to Osaka, from San Jose to Santiago  – then you know that Jon is still fronting the world’s greatest rock’n’roll live show: rama-la soul-shaking set for stun, sweat-soaked, and ultimately, beautifully, uplifting. Picking up where 2024’s mini–LP SICK OF BEING SICK left off, Jon tears it up with SPIDER BOWMAN on drums and KENDALL WIND on bass (also famously the rhythm section of Woodstock’s punk powerhouse The Bobby Lees). They deliver hyper-driven soul and powerhouse groove, beats hard as diamonds and slick as ice, fuzz bass in your face, and an avalanche of uncontrollable urges, pushing Jon’s latest outbursts —  hollering, drooling, sexified crooning, and vociferously lamenting these difficult times — to new levels of rock’n’roll expressionism.  SONGS OF PERSONAL LOSS AND PROTEST  is the New New Super Heavy Rock for Hard Times. XXX For over forty years, Jon Spencer has been an innovative force in the independent music scene. An acclaimed live performer, he has amassed a dizzying, disruptive discography as the leader of Pussy Galore, The Jon Spencer Blues Explosion, Heavy Trash, and Jon Spencer & the HITmakers, as well as with Boss Hog, The Honeymoon Killers, Gibson Brothers, and Taxidermy Girls. His numerous collaborations include working with Steve Albini, Add N To X, Nicole Atkins, Beastie Boys, Beck, Bomb The Bass, R.L. Burnside, James Chance, Coldcut, Chuck D, Dan The Automator, Jim Dickinson, DJ Shadow,  Einsturzende Neubauten, Guitar Wolf, GZA, David Holmes, Japanese Popstars, Dr. John, Calvin Johnson, Steve Jordan, Khan, Moby, Money Mark, The Muffs, The North Mississippi All Stars,  Princess Superstar, Puffy Ami Yumi, The Sadies, Nancy Sinatra, Solex, Solomon Burke, Speedball Baby, Rufus Thomas, UNKLE, Unloved, Andre Williams, and Bernie Worrell. His production credits include: Cheater Slicks, Demolition Doll Rods, Experimental Tropic Blues Band, Perrosky, Mike Edison, Jesper Munk, Sunshine & The Rain, The Bobby Lees, and recently the Grammy-nominated Death Wish Blues album by Samantha Fish & Jesse Dayton.

Genre Is Death, a limitation-destroying noise band formed by Ty Varesi (guitar, vox) and Tayler Lee (bass, vox). Their sound is abrasive yet melodic, using heavy distortion, dissonant riffs, and reverberating vocals to create music that feels both minimal and overwhelming. While comparisons to Sonic Youth, Pussy Galore and Teenage Jesus and the Jerks are inevitable and quite welcome, Genre is Death build’s on NYC’s legacy without repeating it… eschewing nostalgia and nihilism in favor of total sonic liberation.    The pair moved to NYC in August of 2023 looking for something more than their mundane lifestyle of day drinking and playing doom metal in friends' basements… Their move to NYC, coupled with their desire to express something, anything, led to the inception of Genre is Death. The pair hit the ground running, playing anywhere and everywhere they could… However, it was only after a chance encounter with 80s noise forerunners Live Skull that the pair was introduced to the strange underbelly of NYC noise and began playing regular gigs with The Art Gray Noizz Quintet and Lydia Lunch. Since then they have toured with Gogol Bordello, embarked on their first East Coast tour, and played gigs with Cherubs, Bush Tetras, and Jon Spencer.  In 2026 Genre is Death will be playing Goner Fest, opening up for A Place to Bury Strangers and hitting the west coast with Jon Spencer, and have just released their debut full length record 'Attractive People' May 1st on In The Red Records. Recorded by legendary sound producer Martin Bisi, 'Attractive People', prods and pushes its listener with tongue in cheek lyrics that accuse and indict their audience, cacophonous guitar shrieks of power and madness, and bass lines that oscillate from funky to erratic dissonance.